Viridian Artist Alan Gaynor’s photography was recently featured in the Winners Book of the 2025 Spider Awards, an international award honoring black & white photography. More information about the Spider Awards as well as a link to purchase the book is available on The Spider Awards Website.
The Measure Of Our Reality
“Let the credit go”, mixed media assemblage, 8” x 21” x 1.5”, 2019
Chelsea, New York: Viridian Artists Gallery is pleased to present “The Measure of Our Reality,” an exhibition of works by artist Ellen Burnett. The show opens Tuesday, June 17 and continues through Saturday, July 12 with an Opening Reception Thursday, June 19 from 6 to 8pm. A Closing Reception will be held at the gallery on Saturday, July 12 between the hours of 4 and 6pm.
The Measure of Our Reality
Things are not always what they seem.
Where does the truth lie?
And in whose reality
do we measure our sense of what is right?
That which we thought was secure, dissolves as we breathe.
There are demons among us.
Unkind. Noisy.
I am shattered. We are scattered.
And the Demons return.
Dreams are unsatisfactory
Echoes of the ancestors
Retelling the nightmares.
It depends on your POV
Or the time of day
Or your time in life
What stories you tell, what version of reality you live.
The pieces in this show
are narrative works, emerging both from
the dreamworld and
the daily muddle.
What we see we wish for
amidst
Recurrent thoughts of running away.
The pieces in this show
are narrative works, and the stories they tell
vary from viewer to viewer.
How you see what you see differs depending on where you stand.
The pieces in this show
reflect the obtuseness and the optimism of living as if
we all have world enough, and time.
Viridian Artist Alan Gaynor featured in BLACK & WHITE Exhibition at Art Square New York
Viridian Artist and Board Member Alan Gaynor was recently featured in Art Square New York’s Virtual Juried Exhibition “BLACK & WHITE”: an virtual show celebrating the timeless power of monochrome photography.
The exhibit opens on May 24th and can be viewed on Art Square’s website using the link below.
The works from BLACK & WHITE are also available in the form of a book produced by Art Square, available at the link below.
Selfreflections/#mirrorselfies
“@lukita #3”, gouache on inkjet photo, 17”x 22” 2024
Chelsea, New York: Viridian Artists gallery is happy to present “Self Reflections/#mirrorselfies”, an exhibition of new works by artist David Fitzgerald. The show opens Tuesday, May 20th and runs through Saturday, June 14th with an opening reception Thursday, May 22nd from 6 to 8pm. A closing reception will be held at the gallery Saturday, June 14th between the hours of 4 and 6pm.
“@gracieabrams”, gouache on inkjet photo, 17”x22” 2024
Self-Reflections/#mirrorselfies is David Fitzgerald's second show at Viridian Gallery. Inspired by the ubiquitous selfie, especially as posted online, Fitzgerald takes selfies of his own, pulls others from Instagram, then paints and draws on the original image, enhancing and subverting it. In part his work refers to the male gaze and how women are viewed by men. But it also highlights how the selfie allows women to take back ownership of the way their images are being used. Many of the women in these selfies are famous--actresses, singers, and others who want clicks and “likes” because it will further their careers. Many of the images are also created by any woman who wants to control her bodily narrative and take over how it’s seen by the world. At its most basic, of course, that's what selfies are: a way of putting yourself on view for an audience, saying this is me, I'm here doing this cool thing, look at me, I'm important!
“self_selfie #3”, gouache on ink jet photo, 17”x22”, 2025
Yet for Fitzgerald, the original selfie is only the beginning. By drawing and painting on the photo, he goes beyond the basic to change an immediate image into something more lasting and more intriguing. It is no longer a mere selfie, posted along with countless others, to be looked at, admired, perhaps lusted over, and then forgotten. His artistic work transforms, allowing the viewer to see the imperfections, the vulnerability, as well as the beauty of the image. Painting with gouache and using a bold palette, he reinvents the selfie’s photographic origin. Born in mundane surroundings like bathrooms or wherever a mirror is available, they become painterly, offering a new range of aesthetic even as the viewer is always aware that this is a person making a depiction of themselves in real time. You may know who this person is, or you may not, and Fitzgerald himself appears within the group, and through this series in the resources of visual art, the selfie has been elevated into a work that outlasts the ten seconds of Instagram fame and is made into something more enduring.
Beatriz Ledesma CHIMERA
"Birds of Onix" (c/1993)- mixed media over etching
Viridian Artist Beatriz Ledesma has been selected to show a piece at CSI Project Space Gallery in Chicago
CHIMERA
Opening Reception: June 7th 2025, from 6 - 9 PM
CSI Project Space Gallery 1912 N Damen Ave Chicago IL 60647
June 7th - July 18th 2025
Viridian Artist Chris Terry's Spotlight in GoLocalProv
Artist Chris Terry’s work and career was recently featured in GoLocalProv in Providence, Rhode Island, in anticipation of his upcoming showcase at Jamestown Open Studios.
Beatriz Ledesma, Bird's Song Series Book Launch
A series of mixed media drawings over lithographs inspire by a trip to Naples, Italy- a city at the intersection of life and death. I was engulfed in its subterranean and troubled spaces where the dead and the living cohabite, enchanted and taken away from this living existence by encountering breathtaking churches, underground city, catacombs, art, volcanoes, and natural beauty.
Earth Day: Jordens Dag Opening
The theme for EARTH DAY 2025 is “Our Power, Our Planet,” focusing on renewable energy and aiming to triple global electricity generation from renewable resources by 2030.
This Earth Day 2025, let us commit to harnessing renewable energy to build a healthy, sustainable, equitable and prosperous future for us all, let us commit to Renewable Energy NOW.
Curators: Irene Christensen & Grete Marstein
Video art curated by Fran Beallor, NYC
EXHIBITION HOURS: EARTH DAY
TUESDAY 22.04 • 13-18h (1-6pm)
Wednesday / Onsdag 23.04 • 14-18h (2-6pm)
Thursday / Torsdag 24.04 • 14-18h (2-6pm)
Cover art photograph of an Earth Day art installation by Grete Marstein
Irene Christensen and Vernita Nemec of Viridian Artists are showing in this exhibition. Please click below to learn more and see the show.
Neoteric Abstract Opening
NEOTERIC ABSTRACT XIII
April 10 - May 3, 2025
Reception April 12, 3-5pm
Bob Bechtol * Annie Beeson * Nancy Breakstone *Andree Brown
Nils Clute * Cynthia Cooper * Shawn Edrington * Tracy Finn
Rick Freeman * Alan Gaynor * Laura Li Imel * Noelle Kalom
Stephen Klema * Rebeccah Klodt * Jessica Larva * Stacy Leeman
Charles Mcilvane * Jesse Meenaghan * Skip Mueller * James Pastena
Michael Poiarkoff * Jesse Sanchez * Peter Van Der Does
Many artists will attend the opening on Saturday, April 12, 3-5pm. Stop by to meet the artists, view and discuss the works.
Wally Gilbert Open Studio
"Red Leaves"
A 36" x 24" panel on a Flush Mount.
Digital Sublimation Print on Aluminum with a Satin finish.
On Saturday and Sunday (May 3-4th) Viridian Artist Wally Gilbert, will open his studio as part of Somerville Open Studios.
Wally Gilbert's Studio will be open from 12-6PM is number C319 located at One Fitchburg Street Somerville, MA 20143
"Red Blue"
A 36" x 24" panel on a Flush Mount
Digital Sublimation Print on Aluminum with a Satin finish.
Rapturous Delight
Midnight in the Garden of Good and Evil (The Musical) #2)
Chelsea, New York: Viridian Artists gallery is pleased to present “Rapturous Delight”, an exhibition of wonderful works by the innovative artist Zoe Brown-Weissman. The show opens Tuesday, April 22nd and runs through Saturday, May 17th with an opening reception Thursday, April 24th from 6 to 8pm. A closing reception will be held at the gallery Saturday, May 17th between the hours of 4 and 6pm.
With a career marked by an exciting blend of artistry, craftsmanship, and innovative design, Zoe Brown-Weissmann’s contributions to the theatrical world and beyond have been remarkable, as she now moves into the world of fine arts with her first solo exhibition at Viridian Artists, entitled “Rapturous Delight”, an exhibition of her paintings inspired by all her years involved with theater.
Midnight Voodoo, 30” x 40” x 1.5”
Since returning to NYC in 2019, Zoe has been painting/creating every day, going to the Arts Students League for classes and keeping up with friends from her theatre days. One, a very successful theater producer, kept telling her about a highly successful new musical in Chicago--"Midnight in the Garden of Good and Evil”. After viewing videos of the Chicago production, Zoe was inspired to create her vision of the story by creating assemblage pieces and paintings that embodied the character "Lady Chablis" -a major Drag Queen, as well as her ideas of what "Good" and "Evil" in the Midnight Garden might look like. Among the works in this exhibit, is another entitled "Voodoo" which epitomizes Zoe’s convoluted textures and surfaces that dominate her artworks. Also included in the exhibit are three pieces based on the theatrical costume shop, and one called "Five Minutes to Curtain" filled with that sense of expectation just before the curtain rises.
Zoe Brown-Weissmann first exhibited at Viridian as one of the winners of our International Juried exhibit in 2021, but her creative journey sparked in the vibrant world of theater, where she began designing costumes for summer stock right after high school. After earning a BFA in Theater Design from West Virginia University’s Creative Arts Center, she ventured to New York, where she honed her artistic talents in painting at the Art Students League under the guidance of Morris Cantor. At the same time, she studied costume design with the legendary Jane Greenwood at Lester Polakov's Studio and Forum for Stage Design.
Midnight in the Garden of Good and Evil (The Musical) #1 30” x 40” x 1.5”
Her hard work paid off when, just a year later, she was inducted into the prestigious United Scenic Artists of America, Local #829. For the next 18 years, Zoe’s career flourished as she designed costumes for Broadway, Off-Broadway, Off-Off-Broadway, TV commercials, and regional theater productions. She also earned the role of Resident Costume Designer for the Berkshire Playhouse in Stockbridge, Massachusetts, adding another exciting chapter to her career.
But Zoe’s influence didn’t stop there—she gained widespread recognition for her extraordinary work crafting theatrical headpieces for the Metropolitan Opera, City Opera, and American Ballet Theatre. Extending her talents beyond the stage, she also worked on specialized props for major institutions like Neiman Marcus, Great Adventure Amusement Park in New Jersey, and the Fashion Institute of Technology.
In Costume 30” x 40” x 1.5”
The artist states that “creating art takes on a life all its own. The need to create is like a whining child pulling at your leg. It won’t stop tugging and making a commotion until you relent. You simply have to tend to it. Thankfully, if you give in, it can become a zen state where your irrational insecurities give way to quiet mindfulness. Inspiration often comes when you are least aware. New ideas, shapes, lines, and colors can seem to magically appear. The experience can be physically and emotionally draining. Even so, I throw myself into knowing that when I wake up each morning, I’ll have a chance to turn the ideas that played during my sleep into art.”
For Zoe, this new endeavor of creating images of her former life in theater, have become her life's 4th Chapter. We look forward to sharing this fascinating artist’s rapturous interpretation of "Midnight in the Garden of Good and Evil”.
The Ballet 26” x 20” x 1.5” (framed)
Circumstantial Contingencies
Marie-Ange Hoda Ackad, Roses for Marilyn. Courtesy of Viridian Artists
Viridian Artists is pleased to present “CIRCUMSTANTIAL CONTINGENCIES”, an exhibition of outstanding art by artists who are part of Viridian Artists’ Affiliate program. The show opens Tuesday, March 25 and continues through Saturday, April 17 with an opening reception Thursday, March 27, 6–8 PM and a closing reception Saturday, April 17, 4–6 PM.
When we hear or see the word “circumstantial,” it is usually in the context of circumstantial evidence. This suggests something that is not definitively proven but appears to be the reality. Art, too, can be considered circumstantial. It often arises from a creative moment that only the artist themselves can truly understand, while the viewer must interpret the artist's intent, making educated guesses based on the visible evidence. In each art exhibition, the “evidence” is the artwork itself. However, interpretations of this evidence can vary depending on the viewer’s perspective. This exhibition shares the process behind these artists’ creation of artistic evidence, inviting the viewer to interpret and enjoy it through their own “CIRCUMSTANTIAL CONTINGENCIES.”
Matt Cohen’s mixed media works contain areas of layering paint, wire mesh, etched and painted plexiglass, and sections of drawings secured with thin, dark wires. Cohen’s art concerns the juxtaposition of time and timelessness. There is the sense of history in the making of his work as he incorporates layers to expose earlier decisions. He feels a connection with some Baroque painting and is influenced by the dark recesses and overlaying of painted grids. About the works in this show, he states that “these moments of memory are equally present with thoughts that are continuous in our moments of exchanges, activities, or observations in our physical present; they are not truly of the past – they are one of many thoughts we have throughout our lives and are there in our minds on an equal plane.”
Irene Christensen creates from studios in different parts of the world, narrating on the environment and her perspective on female forms in nature in her paintings. Based in New York City, Oslo, and Costa Rica, the symbols and imagery of her paintings and installations serve as her translation of the primacy of nature and humanity’s dependence and inescapable bond to it. She describes her work in this exhibit as a mythology and personal iconography in which the viewer is invited into a discourse with strange and fantastic representations of the female portrait, depicted in constant celebration of life and beauty. Christensen's work has been represented in many museums and personal collections in Europe and the United States since 1983.
Montreal-based artist Marie-Ange Hoda Ackad sees the contradictions between what things look like or appear to be and what they actually are. Particularly in this time of fake reality and ‘alternative facts’ when almost anything can be falsified, she asks us to focus not on what we see but on the meaning that lies within. In the United States, she has shown at the ISEA International Symposium of Experimental Artists, the Brownsville Museum in Texas, the Center for Contemporary Art in Bedford, New Jersey, and Viridian Artists in Chelsea, NYC. Her work appeared on a billboard in central Los Angeles as part of the Billboard Creatives 2016 Exhibition. She participated in the Help Hope Nepal Mural project during Art Basel Miami 2015 and her portrait of Gradimir Pankov, former artistic director of Les Grands Ballets Canadiens, won the Bronze Award in painting in the Art Forward International Competition in 2016, and was featured in a film tribute to Pankov’s achievements.
Born in Cologne, Germany, Sabine Carlson focuses on portrayals of humans, animals, and giving voice to the unspoken dialogue with their surrounding landscapes. She draws her inspiration from a constant questioning of the past, present and future of the subjects within the visual spaces in her paintings. On her works in this show, Carlson describes her small colorful paintings as “a series of chance encounters” where “water birds and humans appear to be engaged in strange conversations while struggling to maintain their footing upon land and sea.” Her work is included in public, corporate, and private collections in Germany, Italy, in the Netherlands, the United Arab Emirates and the United States.
Painter and printmaker Kathleen Shanahan studied at the National Museum of Ethnology in Osaka as a Visiting Scholar in the 1980s and draws her inspiration from the sculptural properties of natural objects, as well as the dynamic properties, such as flux, and life cycle. She combines her love for exploration in mixed media with cross-cultural references to create an integration of elements plucked from various disparate sources and personal experiences. Shanahan sees nature as the basis of all design and structure, and delves deeply into this in her own artistic processes. Her work has been exhibited worldwide, most notably in Japan and Chicago.
Kathleen Shanahan, Elizabeth and Suki’s Garden. Courtesy of Viridian Artists
Vernita N’Cognita, aka Vernita Nemec, has been dealing with the environment through her art-making for the past 20 years, first with her Endless Junkmail Scroll and now with sculpture created from upcycled plastic food containers and other plastic detritus. She uses the aesthetics of Wabi-Sabi by focusing on the beauty of the discarded plastic’s physicality and uselessness and then creating art from it, saving it from enlarging the plastic gyres growing in the oceans, killing the coral and sea creatures who think it is food. These plastic objects from everyday life coalesce into compositions that speak to the chaotic interplay between our lives and the pervasiveness of plastic detritus that continues to grow with time. In this group of works, she has combined her sculptural “plasticism” with collages of the landscapes we are losing. Nemec has been active as an artist, a curator, environmentalist, and a feminist, organizing one of the first all-female art exhibits, “X-12,” in 1970. She was a part of Soho 20, a feminist cooperative gallery in the 70s and has presented more than 30 solo exhibits and performances in the US, Europe, and Asia.
Vernita Nemec, Water Falls of the Future. Courtesy of Viridian Artists
"Herstory: The Battle Continues" is featured in Meer Magazine
D’Ann de Simone, Euthymia II. Courtesy of Viridian Artists
Viridian Artists is pleased to present Herstory, an exhibition of outstanding art by all genders, celebrating women. The show extends from February 25–March 22, 2025, with an Opening Reception on Thursday February 25, 6–8pm and a Closing Reception and poetry reading on Saturday March 22, 4–6pm.
Herstory: an exhibit dedicated to the experience, viewpoint, and history of women. The word Herstory was born in 1962, but not until feminism gained ground in the 1970s was the word elevated into common usage in Robin Morgan’s book, Sisterhood is powerful. In 1987, March was designated Women’s History Month, but gender continues to be a bone of contention, as we are constantly reminded of the contest of power between entitlement and equality.
Simone de Beauvoir wrote The second sex in 1949, a response to women being considered less than men and in the 70s and 80s, Gloria Steinem became the voice of the feminist revolution. Others, like Jane Fonda, risked their careers by speaking out against the Vietnam War, and fighting for women’s rights, Native American causes, and climate action. Aretha Franklin, of powerful vocals and fearless activism, turned Respect into an anthem for women and civil rights. Shirley Chisholm was the first Black woman elected to Congress. Billie Jean King launched the Women’s Tennis Association, fought for equal pay, and paved the way for female athletes. Coretta Scott King fought for civil rights, LGBTQ+ rights, and peace. Katherine Graham took over The Washington post after her husband’s suicide and led the charge on the Pentagon Papers and Watergate. Diana Ross, singer, was a trailblazer for Black women in entertainment. Betty Friedan wrote of The feminine mystique. Angela Davis, scholar, activist, and former Black Panther, fought against racial injustice, mass incarceration, and economic inequality. Nina Simone’s music tackled racism, injustice, and the struggles of Black Americans. Sally Ride was the first American woman in space. Dolores Huerta fought for farmworkers’ rights. More recently we have Hillary Clinton and Kamala Harris who both ran for president and nearly won. Also, we must not forget Supreme Court Justice Ruth Bader Ginsberg and Nancy Pelosi who was twice Speaker of the House of Representatives. There were so many other women too, whose names must not be forgotten.
And it was in 1848, at the Seneca Falls Convention led by Elizabeth Cady Stanton, that the Suffrage movement began, demanding legal and social rights for women, including the right to vote. She and Susan B. Anthony formed the National Women’s Suffrage Association, but by the late 19th century, they were already being faced with the opposition of churches, males, and businesses. In 1920, the 19th amendment finally granted women the right to vote and just last year, President Biden gave women equal rights by making the ERA the 28th amendment to the Constitution. The US finally joined the 85% of countries that include women’s equality in their constitution. Sadly, it will undoubtably be lost again as President Trump seeks to overturn many women’s and citizen’s rights. Some have already been lost. It is hard to reconcile the fact that in the U.S., the country considered so powerful, so democratic and so correct, 300,000 minors are married, most of them young girls married to older men.
The art in this exhibit explores a wide variety of questions, doubts, remembrances, hopes, fears, and fury that women continue to have. In too many ways, women are still struggling to combat the gender gap. Feminism entered its fourth wave in 2012, epitomized by the MeToo Movement and similar developments focusing on the empowerment of women. Since then, the dilemma of gender has become much more complex, as gender fluidity and change are more commonly embraced, and with targeted discrimination occurring in these increasingly discussed avenues of identity.
The artists in this exhibit use a variety of media, themes, and representations. Victoria Antonopoulos, Steven Ferri, Marc Chicoine, Alla Podolsky and Denita Benyshek focus on the strength of females, some realistically, others more abstractly. Elizabeth Ginsberg, Rosemary Lyons, Annaliese Bischoff and Vernita Nemec use words and symbols in their images to accentuate women’s reality. Vassilina Dikidjieva and Ellen Burnett present and honor female dilemmas. Halona Hilbertz, Renee Borkow, Bernice Sokol Kramer, May DeViney and Meredeth Turshen offer other images of women. David Fitzgerald and Jenny Belin focus on appearance as a female concern. d’Ann de Simone, Gail Meyers, Zoe Brown Weissmann and Kathleen Shanahan present “women’s work” and Debra Friedkin, the reality of women’s lives. Rick Mullin, Alan Gaynor, Diane Churchill and Sabine Carlson offer remembrances of women of accomplishment, and so many other artists offer tributes to the female in us all.
In many ways we are still The second sex and battles remain to be fought: gender equality, pay equality, freedom of choice to name just a few. The equality of the sexes and the rights of women were being written about in the 18th century by men and women: Mary and John Adams, Mary Wollstonecraft, Judith Sargent Murray, and Daniel Defoe were just a few who wrote feminist literature, and in the 14th century Giovanni Boccaccio wrote De claris mulieribus (Latin for “Concerning Famous Women”) a collection of biographies of historical and mythological women.
In the art world too, female artists still struggle to gain recognition and value equal to that of male artists, as the Guerrilla Girls have so aptly demonstrated in their posters and actions, along with Barbara Kruger, Nancy Spero, Cindy Sherman, Frida Kahlo, Kara Walker, Faith Ringgold, and many others.
This year, in the 5th incarnation of this exhibit, we have invited artists of all genders to participate as allies demonstrating support through their art about gender inequity and the importance of parity in every way between the sexes.
We encourage everyone to recognize the importance of art and culture to reflect our memories of the past and our wishes for the future. Viridian invites you to view this exhibit of moving artwork, and to experience how artists view the experience and reality of women in the world today. Come see the art, and on the last day of the show, Saturday March 22nd, come hear some of the artists read their poetry addressing the issues of sexual equality and the freedom that women are still striving to express.
Women’s liberation is the liberation of the feminine in the man and the masculine in the woman.
Vernita Nemec, A reminder. Courtesy of Viridian Artists
Vassilina Dikidjieva, Silence. Courtesy of Viridian Artists
Debra Friedkin, The female lifecycle. Courtesy of Viridian Artists
Vassilina Dikidjieva, Silence. Courtesy of Viridian Artists
Anna Novakov's YUGOTOPIA is featured in Meer Magazin
YUGOTOPIA
· 29 Jan — 22 Feb 2025 at the Viridian Artists in New York, United States
Anna Novakov, Admiring glances (b.), 2023. Courtesy of Viridian Gallery
Yugotopia is an evolving series of multimedia projects by Anna Novakov (b. 1959, Belgrade, Serbia), who divides her time between New York, France, and Italy. Drawing from her childhood memories of life in Socialist Yugoslavia, Novakov uses this body of work to explore her complex identity as both Serbian and American. These dual identities, shaped by cultural and political upheaval, provide a rich terrain for her artistic investigations.
At the heart of Yugotopia is the concept of nostalgia, though Novakov's approach to it is neither sentimental nor straightforward. Rather, she critically engages with the layers of personal and collective memory tied to her Yugoslavian heritage. Her works often invite viewers to reflect on the ways in which memory and longing shape one's understanding of identity, especially in the context of displacement and migration.
The installations in Yugotopia are flexible and adaptable, capable of being re-imagined depending on the venue's physical or technical constraints. These site-specific interventions allow each iteration of Yugotopia to respond to its surroundings, creating immersive experiences that vary in scale and materiality.
The series has been exhibited in several prestigious venues, including ZK/U (Zentrum für Kunst und Urbanistik) in Berlin, the Museum of Contemporary Art Salon in Belgrade, the Biennial Scent Fair in Los Angeles, Pleiades Gallery, New York, Museum of Contemporary Art, Westport, Palazzo Albrizzi-Capella, Venice and Viridian Artists, New York. These diverse locations highlight the universality of the themes explored in Yugotopia, which resonates across different cultural contexts. Whether through scent, sound, or physical objects, Novakov's work bridges her personal history with a broader dialogue about identity, memory, and the fluid nature of belonging.
Anna Novakov is a multi-disciplinary artist, writer, designer, curator and educator. She was born in Belgrade (former Yugoslavia) in 1959 and was raised in Berkeley, California. Novakov is Professor of Art History, Theory and Practice (Emerita) at Saint Mary’s College of California as well as a former Professor of Art History, Theory and Criticism at the San Francisco Art Institute. Since moving back to New York in 2020, she has continued her teaching at Hofstra University and focused on her studio practice which consists of olfactory installations, wall works and textiles.
The daughter of noted environmental physicist Tihomir Novakov, she was immersed in the Ecotopian dreams of air pollution control from an early age. She was raised in both the Socialist Utopia of post-war Yugoslavia and the free speech, counterculture movements of Berkeley, California. Both radical movements had profound influences on diaspora, migration and displacement – areas of study that would form the basis of Novakov’s creative practice. In 1992, after completing her doctorate at New York University, she came to prominence in Manhattan as one of the first art critics to write about the interrelationship between art, emerging technology and Utopian spaces.
A prolific writer, she has published numerous books, magazine articles and exhibition cataloguesincluding Veiled histories: the body, place and public art (1996) and Carnal pleasures: desire, contemporary art and public space (1998), The artistic legacy of Le Corbusier’s machine à habiter (2008), Essays on womens ’artistic and Cultural contributions 1919-1939: expanded social roles for the new woman following the First World War (2009), Phantom architecture: essays on interwar architecture in Belgrade (2011), Play of lines: Anton Azbe’s art academy and education of East European female painters (2011), Talking points: conversations about art, gender and public space (2012), Diplomatic ties: Pavle Beljanski, Patronage and Serbian women artists (2012), Flat horizon: the art and life of Milan Konjović (2014) and Imagined utopias in the built environment: from London’s Vauxhall Garden to the Black Rock Desert (2017).
Her creative practice focuses on the transitory modalities of the olfactory and textile arts. As an artist and certified perfumer, Novakov is able to unpack events through a multi-sensory artistic lens by examining seemingly inconsequential things. While her creative practice focuses on conceptual perfumery and textile design she is also invested in the role of scent in the construction of personal and collective memories, fragrance as an aspect of Utopian societies and diasporic cooking as a socio-political act.
Press Release: " HERSTORY: The Battle Continues"
FOR IMMEDIATE RELEASE PLEASE LIST
HISTORY
HERSTORY: The Battle Continues
February 25–March 22, 2025
Opening Reception: Thursday February 27, 6–8pm
Closing Reception & Poetry Reading Saturday, March 22, 4–6pm
Marie-Ange Hoda Ackad * Ayako Bando * Annaliese Bischoff * Jenny Belin *
Denita Benyshek * Reneé Borkow * Ellen Burnett * Zoe Brown-Weissmann *
Sabine Carlson * Marc Chicoine * Irene Christensen * Judith Christian *
Diane Churchill * Tonia Cowan * May DeViney * d’Ann de Simone *
Vassilina Dikidjieva * Victoria Engonopoulos * Steven Ferri * Beth Fidoten *
Jodie Fink * David Fitzgerald * Debra Friedkin * Alan Gaynor * Elizabeth Ginsberg * Joshua Greenberg * Halona Hilbertz Barbara Herzfeld * Miho Hiranouchi *
Lori Horowitz K. Junko Kozy * Bernice Sokol Kramer * AyAkA kyA *
Angela M. LaMonte * Rosemary K. Lyons * Kathy Levine * Gail Meyers * Rick Mullin * Vernita Nemec * Kazumi Okamura * Toki Ozaki *Carol Paik * Petronia PaleyAlla Podolsky * Laura Rutherford Renner * Sai * Melissa Schainker *
Kathleen Shanahan Katherine Ellinger Smith * Dorothy Shaw * Meredeth Turshen * Ku Watanabe
“For most of history, Anonymous was a woman.” Virginia Woolf
Chelsea NY: Viridian Artists is pleased to present “HERSTORY,” an exhibition of outstanding art by all genders, celebrating women. The show extends from February 25–March 22, 2025, with an Opening Reception on Thursday February 25, 6–8pm and a Closing Reception and poetry reading on Saturday March 22, 4–6pm.
HERSTORY: an exhibit dedicated to the experience, viewpoint, and history of women. The word Herstory was born in 1962, but not until feminism gained ground in the 1970s was the word elevated into common usage in Robin Morgan’s book, Sisterhood is Powerful. In 1987, March was designated Women’s History Month, but gender continues to be a bone of contention, as we are constantly reminded of the contest of power between entitlement and equality.
Simone de Beauvoir wrote The Second Sex in 1949, a response to women being considered less than men and in the 70s and 80s, Gloria Steinem became the voice of the feminist revolution. Others, like Jane Fonda, risked their careers by speaking out against the Vietnam War, and fighting for women’s rights, Native American causes, and climate action. Aretha Franklin, of powerful vocals and fearless activism, turned “Respect” into an anthem for women and civil rights. Shirley Chisholm was the first Black woman elected to Congress. Billie Jean King launched the Women’s Tennis Association, fought for equal pay, and paved the way for female athletes. Coretta Scott King fought for civil rights, LGBTQ+ rights, and peace. Katherine Graham took over The Washington Post after her husband’s suicide and led the charge on the Pentagon Papers and Watergate. Diana Ross, singer, was a trailblazer for Black women in entertainment. Betty Friedan wrote of The Feminine Mystique. Angela Davis, scholar, activist, and former Black Panther, fought against racial injustice, mass incarceration, and economic inequality. Nina Simone’s music tackled racism, injustice, and the struggles of Black Americans. Sally Ride was the first American woman in space. Dolores Huerta fought for farmworkers’ rights. More recently we have Hillary Clinton and Kamala Harris who both ran for president and nearly won. Also, we must not forget Supreme Court Justice Ruth Bader Ginsberg & Nancy Pelosi who was twice Speaker of the House of Representatives. There were so many other women too, whose names must not be forgotten.
And it was in 1848, at the Seneca Falls Convention led by Elizabeth Cady Stanton, that the Suffrage movement began, demanding legal and social rights for women, including the right to vote. She and Susan B. Anthony formed the National Women’s Suffrage Association, but by the late 19th century, they were already being faced with the opposition of churches, males, and businesses. In 1920, the 19th amendment finally granted women the right to vote and just last year, President Biden gave women equal rights by making the ERA the 28th amendment to the Constitution. The US finally joined the 85% of countries that include women’s equality in their constitution. Sadly, it will undoubtably be lost again as President Trump seeks to overturn many women’s and citizen’s rights. Some have already been lost. It is hard to reconcile the fact that in the U.S., the country considered so powerful, so democratic and so correct, 300,000 minors are married, most of them young girls married to older men.
The art in this exhibit explores a wide variety of questions, doubts, remembrances, hopes, fears, and fury that women continue to have. In too many ways, women are still struggling to combat the gender gap. Feminism entered its fourth wave in 2012, epitomized by the MeToo Movement and similar developments focusing on the empowerment of women. Since then, the dilemma of gender has become much more complex, as gender fluidity and change are more commonly embraced, and with targeted discrimination occurring in these increasingly discussed avenues of identity.
The artists in this exhibit use a variety of media, themes, and representations. Victoria Antonopoulos, Steven Ferri, Marc Chicoine, Alla Podolsky and Denita Benyshek focus on the strength of females, some realistically, others more abstractly. Elizabeth Ginsberg, Rosemary Lyons, Annaliese Bischoff and Vernita Nemec use words and symbols in their images to accentuate women’s reality. Vassilina Dikidjieva and Ellen Burnett present and honor female dilemmas. Halona Hilbertz, Renee Borkow, Bernice Sokol Kramer, May DeViney and Meredeth Turshen offer other images of women. David Fitzgerald and Jenny Belin focus on appearance as a female concern. d’Ann de Simone, Gail Meyers, Zoe Brown Weissmann and Kathleen Shanahan present “women’s work” and Debra Friedkin, the reality of women’s lives. Rick Mullin, Alan Gaynor, Diane Churchill and Sabine Carlson offer remembrances of women of accomplishment, and so many other artists offer tributes to the female in us all.
In many ways we are still The Second Sex and battles remain to be fought: gender equality, pay equality, freedom of choice to name just a few. The equality of the sexes and the rights of women were being written about in the 18th century by men and women: Mary and John Adams, Mary Wollstonecraft, Judith Sargent Murray, and Daniel Defoe were just a few who wrote feminist literature, and in the 14th century Giovanni Boccaccio wrote De Claris Mulieribus (Latin for “Concerning Famous Women”) a collection of biographies of historical and mythological women.
In the art world too, female artists still struggle to gain recognition and value equal to that of male artists, as the Guerrilla Girls have so aptly demonstrated in their posters and actions, along with Barbara Kruger, Nancy Spero, Cindy Sherman, Frida Kahlo, Kara Walker, Faith Ringgold, and many others.
This year, in the 5th incarnation of this exhibit, we have invited artists of all genders to participate as allies demonstrating support through their art about gender inequity and the importance of parity in every way between the sexes.
We encourage everyone to recognize the importance of art and culture to reflect our memories of the past and our wishes for the future. Viridian invites you to view this exhibit of moving artwork, and to experience how artists view the experience and reality of women in the world today. Come see the art, and on the last day of the show, Saturday March 22nd, come hear some of the artists read their poetry addressing the issues of sexual equality and the freedom that women are still striving to express.
“Women’s liberation is the liberation of the feminine in the man and the masculine in the woman.” Corita Kent
Gallery hours: Tuesday – Saturday, 12–6pm
For further information please contact: Vernita Nemec, Gallery Director
or Jenny Belin, Assistant Director at viridianartistsinc@gmail.com
Wally Gilbert : Art Show in Somerville, Massachusetts: February 3 –April 30, 2025
Wally Gilbert
Five of the "Torn Building Tower" Series
72" x 10" Panels on Flush Mount Frames.; Digital Sublimation Print on Aluminum.
Congratulations to Wally Gilbert, who will be exhibiting his art work at the The Triangle Café in Somerville, Massachusetts, from
From February 3rd -April 30th, 2025
The Triangle Café is located at:
100 Chestnut Street
Somerville, MA 02143
Gallery Hours are:
8 am to 4 pm
Monday to Friday
Opening Reception
with the artist:
February 7, 4:30 to 8 pm
CLICK HERE FOR A VIRTUAL GALLERY OF THE WORK THAT WILL BE SHOWN
Wally Gilbert:
Five Large Images
60" x 40" panels on Flush Mounts
Digital Sublimation Prints on Aluminum with a Satin finish
Kathleen Shanahan: Exhibition at The E.B. White Gallery in El Dorado, Kansas
Congratulations to Kathleen Shanahan who will be exhibiting work at the E.B. White Gallery in El Dorado, Kansas.
K A T H L E E N S H A N A H A N
Fast/Slow
Forward to Now:
A Collection
J A N U A R Y 2 7 – F E B R U A R Y 1 4
Reception/Gallery talk, February 6, 6–8 PM
E.B. White Gallery
Butler County Community College
901 S Haverhill Rd., El Dorado, KS
Gallery Hours: Mondays through Fridays: 10 AM–4 PM
Press Release: Anna Novakov: YUGOTOPIA
”YUGOTOPIA“
Anna Novakov
Wednesday, January 29 — Saturday, February 22, 2025
Opening Reception: Saturday, February 1, 4–6pm
New York. Yugotopia is an evolving series of multimedia projects by Anna Novakov (b. 1959, Belgrade, Serbia), who divides her time between New York, France, and Italy. Drawing from her childhood memories of life in Socialist Yugoslavia, Novakov uses this body of work to explore her complex identity as both Serbian and American. These dual identities, shaped by cultural and political upheaval, provide a rich terrain for her artistic investigations.
At the heart of Yugotopia is the concept of nostalgia, though Novakov's approach to it is neither sentimental nor straightforward. Rather, she critically engages with the layers of personal and collective memory tied to her Yugoslavian heritage. Her works often invite viewers to reflect on the ways in which memory and longing shape one's understanding of identity, especially in the context of displacement and migration.
The installations in Yugotopia are flexible and adaptable, capable of being re-imagined depending on the venue's physical or technical constraints. These site-specific interventions allow each iteration of Yugotopia to respond to its surroundings, creating immersive experiences that vary in scale and materiality.
The series has been exhibited in several prestigious venues, including ZK/U (Zentrum für Kunst und Urbanistik) in Berlin, the Museum of Contemporary Art Salon in Belgrade, the Biennial Scent Fair in Los Angeles, Pleiades Gallery, New York, Museum of Contemporary Art, Westport, Palazzo Albrizzi-Capella, Venice and Viridian Artists, New York. These diverse locations highlight the universality of the themes explored in Yugotopia, which resonates across different cultural contexts. Whether through scent, sound, or physical objects, Novakov's work bridges her personal history with a broader dialogue about identity, memory, and the fluid nature of belonging.
About the artist
Anna Novakov is a multi-disciplinary artist, writer, designer, curator and educator. She was born in Belgrade (former Yugoslavia) in 1959 and was raised in Berkeley, California. Novakov is Professor of Art History, Theory and Practice (Emerita) at Saint Mary’s College of California as well as a former Professor of Art History, Theory and Criticism at the San Francisco Art Institute. Since moving back to New York in 2020, she has continued her teaching at Hofstra University and focused on her studio practice which consists of olfactory installations, wall works and textiles.
The daughter of noted environmental physicist Tihomir Novakov, she was immersed in the Ecotopian dreams of air pollution control from an early age. She was raised in both the Socialist Utopia of post-war Yugoslavia and the free speech, counterculture movements of Berkeley, California. Both radical movements had profound influences on diaspora, migration and displacement – areas of study that would form the basis of Novakov’s creative practice. In 1992, after completing her doctorate at New York University, she came to prominence in Manhattan as one of the first art critics to write about the interrelationship between art, emerging technology and Utopian spaces.
A prolific writer, she has published numerous books, magazine articles and exhibition catalogues including Veiled Histories: The Body, Place and Public Art (1996) and Carnal Pleasures: Desire, Contemporary Art and Public Space (1998), The Artistic Legacy of Le Corbusier’s machine à habiter (2008), Essays on Womens’ Artistic and Cultural Contributions 1919-1939: Expanded Social Roles for the New Woman following the First World War (2009), Phantom Architecture: Essays on Interwar Architecture in Belgrade (2011), Play of Lines: Anton Azbe’s Art Academy and Education of East European Female Painters (2011), : Talking Points: Conversations about Art, Gender and Public Space (2012), Diplomatic Ties: Pavle Beljanski, Patronage and Serbian Women Artists (2012), Flat Horizon: The Art and Life of Milan Konjović (2014) and Imagined Utopias in the Built Environment: From London’s Vauxhall Garden to the Black Rock Desert (2017).
Her creative practice focuses on the transitory modalities of the olfactory and textile arts. As an artist and certified perfumer, Novakov is able to unpack events through a multi-sensory artistic lens by examining seemingly inconsequential things. While her creative practice focuses on conceptual perfumery and textile design she is also invested in the role of scent in the construction of personal and collective memories, fragrance as an aspect of Utopian societies and diasporic cooking as a socio-political act.
“UNIQUE VISIONS” is featured in Meer Magazine
“UNIQUE VISIONS” is featured in Meer Magazine!
Sabine Carlson's work is included in “A Sense of Place”: the 36th Annual Prince George’s County Juried Exhibition
Sabine Carlson
‘Cold world but for kindness’, 2024
Acrylic and collage on wood, 12” x 16” x 1.5”
Congratulations to Sabine Carlson!
Sabine’s painting is on view in “A Sense of Place”, the 36th Annual Prince George’s County Juried Exhibition
This exhibition was jurored by Nehemiah Dixon III, Director of Community Engagement at the Phillips Collection, Washington, DC
The show continues through Jan 11, 2025 at:
Harmony Hall Arts Center
10701 Livingston Road
Fort Washington, MD 20744
Here is a link to the Harmony Arts Website
Click here to view more information on Instagram